[....] While the cinema on the one hand increases the understanding of the needs that govern our existence, the other fails to give us a margin freedom of huge and unexpected. Our taverns and streets of our metropolis, offices and furnished rooms, stations and factories seem to close irrimmediabilmente. Then came the film and with the tenths of dynamite blew up the world like a prison, so we are now able to undertake adventure travel safely among his scattered ruins.
With the first floor opens up space, with the recovery in slow motion expands. And as the magnification is not only clarification of what we see so [...] still does not show only the slow movement of the reasons already known, but it turns out completely unknown, "which are not at all the effect of a slowdown more rapid movements, but that of actual movements gliding, gliding, supernatural. " It is understood that talks about as well as the nature of the camera is different from the one that speaks to eye. Especially different in that instead of an area developed by the human conscience intervenes a space elaborated unconsciously.
